{"id":5942,"date":"2025-02-02T19:18:44","date_gmt":"2025-02-03T00:18:44","guid":{"rendered":"http:\/\/streamapse.com\/Magazine\/?p=5942"},"modified":"2025-06-08T16:16:13","modified_gmt":"2025-06-08T21:16:13","slug":"hip-hop-music-is-a-means-of-release-for-both-artists-and-their-fans","status":"publish","type":"post","link":"http:\/\/streamapse.com\/Magazine\/?p=5942","title":{"rendered":"Hip-Hop Music Is A Means Of Release For Both Artists And Their Fans"},"content":{"rendered":"<h1 class=\"theconversation-article-title\" style=\"padding-left: 40px;\">Rap lyrics can provide catharsis \u2013 both for artists and their fans.<\/h1>\n<div class=\"theconversation-article-body\">\n<p style=\"padding-left: 40px;\">I heard a rapper\u2019s verse a while ago that stopped me in my tracks. The artist was Kemba and the song, <a href=\"https:\/\/www.youtube.com\/watch?v=cTXboEam8gc\">Daemons<\/a>, featured on the posthumous album Bad Vibes Forever (2019), by the conflicted and gifted artist XXXTentacion.<\/p>\n<p style=\"padding-left: 40px;\">What struck me about Kemba\u2019s verse was the way it was performed. There was an urgency in his voice, a wavering tone as if delivered in a state of panic or paranoia. It gave the impression of a man on the edge \u2013 compounded by Kemba\u2019s harrowing recollection of how addiction, loss, poverty and crime had negatively affected his young mind.<\/p>\n<p style=\"text-align: center;\"><a href=\"http:\/\/streamapse.com\/Music\/\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-5793\" src=\"http:\/\/streamapse.com\/Magazine\/wp-content\/uploads\/2024\/10\/ATREAMAPSE-BANNER2-1024x224.jpg\" alt=\"\" width=\"1024\" height=\"224\" srcset=\"http:\/\/streamapse.com\/Magazine\/wp-content\/uploads\/2024\/10\/ATREAMAPSE-BANNER2-1024x224.jpg 1024w, http:\/\/streamapse.com\/Magazine\/wp-content\/uploads\/2024\/10\/ATREAMAPSE-BANNER2-300x66.jpg 300w, http:\/\/streamapse.com\/Magazine\/wp-content\/uploads\/2024\/10\/ATREAMAPSE-BANNER2-768x168.jpg 768w, http:\/\/streamapse.com\/Magazine\/wp-content\/uploads\/2024\/10\/ATREAMAPSE-BANNER2.jpg 1195w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><\/p>\n<p style=\"padding-left: 40px;\">As a practitioner of rap, I\u2019ve long been aware the MCs I relate to most are the ones who articulate trauma and vulnerability in their work. And this is where I believe they make the most difference to their listeners\u2019 lives.<\/p>\n<p style=\"padding-left: 40px;\">When it\u2019s done well and delivered with integrity, rap can offer a cathartic experience for both speaker and listener. This phenomenon is a special form of what rap researcher David Diallo defines as <a href=\"https:\/\/journals.openedition.org\/volume\/8757\">\u201ccall and response\u201d<\/a> \u2013 a technique embedded in rap music since its origins.<\/p>\n<p style=\"padding-left: 40px;\">Kemba\u2019s Daemons verse had a profound impact on me, and got me thinking about how other rappers articulate pain and trauma in their lyrical performances.<\/p>\n<p style=\"padding-left: 40px;\">Rap music is an <a href=\"https:\/\/press.umich.edu\/Books\/R\/Rhymin-and-Stealin2\">open-source culture<\/a> that borrows from a <a href=\"https:\/\/lareviewofbooks.org\/article\/et-tu-too-kendrick-lamars-tpab-and-the-revival-of-black-postmodernism\/\">plethora of cultural influences<\/a>. As well as external forms of high and low culture, rappers often borrow freely from each other\u2019s words and ideas.<\/p>\n<p style=\"padding-left: 40px;\">As <a href=\"https:\/\/www.nytimes.com\/2009\/09\/13\/books\/review\/Dreisinger-t.html\">Adam Bradley<\/a>, an expert in rap lyrics, puts it: \u201cImitation in an artistic context\u201d can be seen as an act of \u201ccharging another\u2019s words with your own creativity and, in the process, creating something that is at once neither theirs nor yours, yet somehow both.\u201d<\/p>\n<figure style=\"padding-left: 120px;\"><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/cTXboEam8gc?wmode=transparent&amp;start=0\" width=\"440\" height=\"260\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><figcaption><span class=\"caption\">Daemons by XXXTENTACION and Kemba featuring Joey Bada$$.<\/span><\/figcaption><\/figure>\n<p style=\"padding-left: 40px;\">This process is clearly demonstrated in Kemba\u2019s verse on Daemons, which shares stark similarities in performance style to the first verse of Kendrick Lamar\u2019s <a href=\"https:\/\/www.youtube.com\/watch?v=10yrPDf92hY\">m.A.A.d city<\/a> (2012). When listening to the tracks back to back, the sense of panic in both artists\u2019 voices stands out for comparison.<\/p>\n<p style=\"padding-left: 40px;\">By borrowing this performance style, Kemba positions himself alongside Lamar as a <a href=\"https:\/\/www.soundoflife.com\/blogs\/mixtape\/conscious-rap-origins\">\u201cconscious rap\u201d lyricist<\/a>. Kemba shows he is attuned to his own emotional vulnerabilities and is using his music as a therapeutic platform for personal growth.<\/p>\n<p style=\"padding-left: 40px;\">The clearest indication of how he engages with rap as a form of catharsis is how his verse concludes \u2013 by highlighting the difficulty of expressing trauma in such a public way:<\/p>\n<blockquote><p>Just give me one damn minute, this shit is hard for me<\/p>\n<p>I lost my whole damn mama, I lost a part of me<\/p>\n<p>She lost her whole damn life from symptoms of poverty.<\/p><\/blockquote>\n<p style=\"padding-left: 40px;\">Then, two lines later, Kemba illustrates an understanding of the healing properties of rap. His voice and cadence relax, the wavering, panicked tone no longer discernible, as his perspective shifts to one of resolution and positivity for the future:<\/p>\n<blockquote><p>It was nonstop for me, no one is stoppin\u2019 me<\/p>\n<p>Either fulfil myself or be a self-fulfillin\u2019 prophecy<\/p>\n<p>This just how I introduce myself properly<\/p>\n<p>Kemba.<\/p><\/blockquote>\n<p style=\"padding-left: 40px;\">By literally signing off after laying his cards on the table, Kemba shows how important an act of self-exposure such as this can be for a rap artist. He also shows an awareness of how it can form emotional and intellectual bonds between listener and speaker.<\/p>\n<p style=\"text-align: center;\"><a href=\"http:\/\/streamapse.com\/Music\/\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-5793\" src=\"http:\/\/streamapse.com\/Magazine\/wp-content\/uploads\/2024\/10\/ATREAMAPSE-BANNER2-1024x224.jpg\" alt=\"\" width=\"1024\" height=\"224\" srcset=\"http:\/\/streamapse.com\/Magazine\/wp-content\/uploads\/2024\/10\/ATREAMAPSE-BANNER2-1024x224.jpg 1024w, http:\/\/streamapse.com\/Magazine\/wp-content\/uploads\/2024\/10\/ATREAMAPSE-BANNER2-300x66.jpg 300w, http:\/\/streamapse.com\/Magazine\/wp-content\/uploads\/2024\/10\/ATREAMAPSE-BANNER2-768x168.jpg 768w, http:\/\/streamapse.com\/Magazine\/wp-content\/uploads\/2024\/10\/ATREAMAPSE-BANNER2.jpg 1195w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><\/p>\n<h2 style=\"padding-left: 40px;\">\u2018It\u2019s a feelin\u2019<\/h2>\n<p style=\"padding-left: 40px;\">Some of the most effective artists practising rap as a form of healing are Earl Sweatshirt and the emerging talents MIKE and Navy Blue.<\/p>\n<p style=\"padding-left: 40px;\">These rappers have been making music that prioritises feeling over technicality for years. As music editor <a href=\"https:\/\/www.knkx.org\/2024-03-21\/how-chief-keef-and-mike-former-rap-prodigies-escaped-the-attention-economy\">Sheldon Pearce puts it<\/a>, they prioritise \u201cmood over meaning\u201d.<\/p>\n<p style=\"padding-left: 40px;\">Earl Sweatshirt nods to this idea in his hypnotic and clouded song <a href=\"https:\/\/www.youtube.com\/watch?v=twT1zz5GMfU\">Shattered Dreams<\/a> (2018), saying \u201cit\u2019s a feelin\u2019\u201d. MIKE does the same in his track <a href=\"https:\/\/www.youtube.com\/watch?v=Hj59RKnE_YY\">More Gifts<\/a> (2020), in which he notes his reliance on emotional distress and painful memory to help him create rap: \u201cTo put the work in, I gotta get to hurtin\u2019 a bit.\u201d<\/p>\n<figure style=\"padding-left: 120px;\"><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/twT1zz5GMfU?wmode=transparent&amp;start=0\" width=\"440\" height=\"260\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><figcaption><span class=\"caption\">Shattered Dreams by Earl Sweatshirt.<\/span><\/figcaption><\/figure>\n<p style=\"padding-left: 40px;\">It\u2019s safe to say that Kemba, Earl Sweatshirt and MIKE consider \u201churt\u201d a key ingredient to the creation of their art.<\/p>\n<p style=\"padding-left: 40px;\">Take MIKE\u2019s <a href=\"https:\/\/www.youtube.com\/watch?v=aCdaaLONa5M\">Like My Mama, featuring Navy Blue<\/a> (2022). In the track, Navy Blue eschews sonic clarity, transparency of meaning or technical ability and instead offers a highly intimate spoken portrait of recent trauma, culminating in an audible expression of emotion as he repeats the concluding phrase: \u201cThen came the hurt.\u201d<\/p>\n<p style=\"padding-left: 40px;\">Songs like this clearly weren\u2019t created to showcase technical or sonic prowess, but instead aim to alleviate pain and struggle in positive, healthy ways. As Earl Sweatshirt put it during an <a href=\"https:\/\/www.billboard.com\/music\/rb-hip-hop\/5-things-we-learned-from-earl-sweatshirts-talk-with-his-mother-at-8545708\/#!\">interview with his mother<\/a> for Billboard, this kind of rap \u201cis not explicitly shiny or for sale \u2013 the goal of it isn\u2019t to sell \u2026 Rap helps me figure out life, it\u2019s the medium I use to sort life out.\u201d<\/p>\n<p style=\"padding-left: 40px;\">The process of using recollection of painful memories as a catalyst for artistic expression has its roots in blues music. As the author and critic <a href=\"https:\/\/www.youtube.com\/watch?v=4qK52ySQi38\">Ralph Ellison<\/a> explains: \u201cThe blues is an impulse to keep the painful details and episodes of a brutal experience alive in one\u2019s aching consciousness \u2013 to finger its jagged grain and transcend it.\u201d<\/p>\n<p style=\"padding-left: 40px;\">Following this impulse, artists such as Kemba, Earl Sweatshirt, MIKE and Navy Blue keep these \u201cbrutal experiences alive\u201d in their music as a means of aiding the healing process for their own psychological scars.<!-- Below is The Conversation's page counter tag. Please DO NOT REMOVE. --><img loading=\"lazy\" decoding=\"async\" style=\"border: none !important; box-shadow: none !important; margin: 0 !important; max-height: 1px !important; max-width: 1px !important; min-height: 1px !important; min-width: 1px !important; opacity: 0 !important; outline: none !important; padding: 0 !important;\" src=\"https:\/\/counter.theconversation.com\/content\/231245\/count.gif?distributor=republish-lightbox-basic\" alt=\"The Conversation\" width=\"1\" height=\"1\" \/><!-- End of code. If you don't see any code above, please get new code from the Advanced tab after you click the republish button. The page counter does not collect any personal data. More info: https:\/\/theconversation.com\/republishing-guidelines --><\/p>\n<p style=\"text-align: center;\"><a href=\"http:\/\/streamapse.com\/Music\/\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-5793\" src=\"http:\/\/streamapse.com\/Magazine\/wp-content\/uploads\/2024\/10\/ATREAMAPSE-BANNER2-1024x224.jpg\" alt=\"\" width=\"1024\" height=\"224\" srcset=\"http:\/\/streamapse.com\/Magazine\/wp-content\/uploads\/2024\/10\/ATREAMAPSE-BANNER2-1024x224.jpg 1024w, http:\/\/streamapse.com\/Magazine\/wp-content\/uploads\/2024\/10\/ATREAMAPSE-BANNER2-300x66.jpg 300w, http:\/\/streamapse.com\/Magazine\/wp-content\/uploads\/2024\/10\/ATREAMAPSE-BANNER2-768x168.jpg 768w, http:\/\/streamapse.com\/Magazine\/wp-content\/uploads\/2024\/10\/ATREAMAPSE-BANNER2.jpg 1195w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><\/p>\n<p style=\"padding-left: 40px;\"><a href=\"https:\/\/theconversation.com\/profiles\/paul-stephen-adey-1511767\">Paul Stephen Adey<\/a>, <em><a href=\"https:\/\/theconversation.com\/institutions\/nottingham-trent-university-1338\">Nottingham Trent University<\/a><\/em><\/p>\n<p style=\"padding-left: 40px;\"><a href=\"https:\/\/theconversation.com\/profiles\/paul-stephen-adey-1511767\">Paul Stephen Adey<\/a>, Rap Lyricist and Lecturer in Music Performance at Confetti Institute of Creative Technology, <em><a href=\"https:\/\/theconversation.com\/institutions\/nottingham-trent-university-1338\">Nottingham Trent University<\/a><\/em><\/p>\n<p style=\"padding-left: 40px;\">This article is republished from <a href=\"https:\/\/theconversation.com\">The Conversation<\/a> under a Creative Commons license. Read the <a href=\"https:\/\/theconversation.com\/rap-lyrics-can-provide-catharsis-both-for-artists-and-their-fans-231245\">original article<\/a>.<\/p>\n<p style=\"padding-left: 40px;\">Every product\/service is selected by editors. Products\/Services you buy through these links may earn &#8220;Streamapse&#8221; a commission or revenue.<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Rap lyrics can provide catharsis \u2013 both for artists and their fans. I heard a rapper\u2019s verse a while ago that stopped me in my tracks. The artist was Kemba and the song, Daemons, featured on the posthumous album Bad Vibes Forever (2019), by the conflicted and gifted artist XXXTentacion. What struck me about Kemba\u2019s [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":5943,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[159],"tags":[],"class_list":["post-5942","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-videos"],"_links":{"self":[{"href":"http:\/\/streamapse.com\/Magazine\/index.php?rest_route=\/wp\/v2\/posts\/5942","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/streamapse.com\/Magazine\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/streamapse.com\/Magazine\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/streamapse.com\/Magazine\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/streamapse.com\/Magazine\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=5942"}],"version-history":[{"count":1,"href":"http:\/\/streamapse.com\/Magazine\/index.php?rest_route=\/wp\/v2\/posts\/5942\/revisions"}],"predecessor-version":[{"id":5944,"href":"http:\/\/streamapse.com\/Magazine\/index.php?rest_route=\/wp\/v2\/posts\/5942\/revisions\/5944"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/streamapse.com\/Magazine\/index.php?rest_route=\/wp\/v2\/media\/5943"}],"wp:attachment":[{"href":"http:\/\/streamapse.com\/Magazine\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=5942"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/streamapse.com\/Magazine\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=5942"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/streamapse.com\/Magazine\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=5942"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}