The internet was ablaze with rumors about Swift dating Matty Healy<\/a>, the lead singer of the English pop-rock band The 1975. Some Swifties \u2013 the term used for diehard Taylor Swift fans \u2013 berated the pop superstar for dating Healy, who\u2019d become mired in controversy for appearing on a podcast whose hosts made racist comments about the rapper Ice Spice<\/a>.<\/p>\n As the Pittsburgh leg of the tour approached, I wondered if I were about to dive headfirst into an angry mob of tens of thousands of Swifties.<\/p>\n On the day of the show, Acrisure Stadium was mobbed with 72,000 people, but the Swifties in attendance were far from angry.<\/p>\n In that moment we became deeply connected by our shared love and admiration for Swift\u2019s music. Sociologist Emile Durkheim described this phenomenon as \u201ccollective effervescence<\/a>,\u201d the unique surge in feeling when large groups of people come together for a shared purpose.<\/p>\n \u201cIt was rare, I was there, I was there,\u201d Swift belted out during \u201cAll Too Well<\/a>.\u201d<\/p>\n I was there, too, as life events touched by Swift flashed by: sitting at my first desktop computer as a teenager in Kathmandu, Nepal, replaying \u201cLove Story\u201d on LimeWire; my first week in the U.S., during the 2009 MTV Video Music Awards, when Kanye West infamously interrupted Swift<\/a>; how Swift\u2019s eighth studio album, \u201cFolklore<\/a>,\u201d brought me back to life after it seemed as if the world were on the verge of imploding in 2020.<\/p>\n The Eras Tour was not my first experience of collective effervescence. Nor was it the first time I felt such a strong disconnect between the online and offline worlds.<\/p>\n Right before the pandemic began, there was the painfully quiet fizzling out of the Bernie 2020 movement<\/a>. As a volunteer for that campaign, I had the remarkable experience of connecting with other Americans who wanted a Bernie Sanders presidency.<\/p>\n I especially appreciated how this role connected me to the people who make up the Nepali diaspora in the U.S. We hoped to improve our immigrant experiences, whether it involved no longer fearing the deportation of loved ones or easier access to health care<\/a>.<\/p>\n But then repeated news cycles about \u201ctoxic Bernie Bros<\/a>\u201d seemed to drain the movement\u2019s momentum. Mainstream media outlets reported that Sanders\u2019 base was made up of white male cyberbullies<\/a>. Negative tweets had been amplified, and the words and behaviors of a few Sanders supporters all of a sudden were being portrayed as representative of an entire movement.<\/p>\n The contrast between what was being said online versus my own experiences was jarring: Here I was working to find transportation for 80-year-old Nepali grandmas who didn\u2019t speak English but wanted to vote for Sanders.<\/p>\n Post-election analysis would show that the Bernie Bro trope was entirely constructed<\/a>; there was no evidence to show that young white men made up a majority of Sanders\u2019 supporters. The movement, in fact, consisted of a diverse coalition of people from marginalized races and genders<\/a>.<\/p>\n Online narratives distort real life more often than you might realize.<\/p>\n Research consistently shows that a small minority of people who have social media accounts post the vast majority of content.<\/p>\n In what\u2019s termed the \u201c90-9-1 rule<\/a>,\u201d 90% of users on these websites only \u201clurk\u201d or read content, 9% of the users reply or re-post with occasional new contributions, and only 1% of the users frequently create new content.<\/p>\n Pioneered by Jakob Neilson, the 90-9-1 rule is one of many theories<\/a> within internet studies that describe participation rates, and different scholars find support for different variations of this rule. Reddit, for example, has over 1 billion<\/a> monthly active users, but according to a 2017 conference paper, an overwhelming majority of Reddit users are lurkers<\/a>. X, the website and app formerly known as Twitter, had around 350 million<\/a> users as of 2023; however, research from 2019 found that 75% of its users were lurkers<\/a>.<\/p>\n In other words, most of the discussions happening on websites like Reddit and Twitter come from a vocal minority of users \u2013 whose posts are then curated and boosted by algorithms<\/a>.<\/p>\n Nonetheless, in the past decade, the news media have increasingly constructed narratives about collective reality based on what happens in these websites.<\/p>\n Of course, toxic online behavior exists in all online communities. But it represents the words of a smaller minority of users within the already small minority of people who post content online. Media narratives that emphasize certain groups as toxic based on online behavior \u2013 whether they are describing fandom or politics \u2013 fall into the trap of confusing the internet with real life.<\/p>\n In the weeks when Swift was dating Healy, a vocal minority of Swifties came head-to-head with a vocal minority of Healy\u2019s defenders<\/a>. Then the celebrity pair ended their relationship, and collective attention moved on from that topic almost immediately.<\/p>\n Several weeks of nonstop debate, attacks and hand-wringing ended up being utterly meaningless \u2013 except to social media companies that converted this brief obsession into clicks, engagement and ad revenue.<\/p>\n My forthcoming book, \u201cAttention and Alienation<\/a>,\u201d brings renewed focus to an increasingly demystified phenomenon: The online attention economy<\/a> maximizes profits by designing algorithms that boost engagement<\/a>, particularly by promoting negativity and outrage.<\/p>\n Sometimes the consequences of mistaking the internet for real life are dire.<\/p>\n Take reproductive health. Online rage about the Supreme Court\u2019s decisions to overturn Roe. v. Wade<\/a> peaked within a few days<\/a> and people moved on to different topics.<\/p>\n Today, reports about reproductive health care take up very little news media space<\/a> compared with garden-variety trending topics like \u201cBarbenheimer\u201d<\/a> \u2013 the double blockbuster release of the movies \u201cBarbie\u201d and \u201cOppenheimer\u201d on July 21, 2023.<\/p>\n In the real world, many people continue to suffer from lack of access to lifesaving reproductive health care across the U.S.<\/a>, while the online chattering class celebrates the radical feminism of the \u201cBarbie\u201d movie<\/a>.<\/p>\n Perhaps it\u2019s time to sideline social media and the internet when evaluating the nature of our collective reality. Reality exists outside of our devices, whereas social media algorithms push whatever keeps us tethered to the screen. There is little evidence to support the idea that online discourse represents collective experiences<\/a>.<\/p>\n That might be easier said than done: 94% of journalists say they<\/a> use social media for their jobs.<\/p>\n But as an internet researcher \u2013 and Taylor Swift fan \u2013 I am hopeful that experiences like the Eras Tour will wake up more people to the fact that human beings are more united than social media algorithms would have us believe. Aarushi Bhandari<\/a>, Davidson College<\/a><\/em><\/p>\n Aarushi Bhandari<\/a>, Assistant Professor of Sociology, Davidson College<\/a><\/em><\/p>\n This article is republished from The Conversation<\/a> under a Creative Commons license. Read the original article<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":" Taylor Swift\u2019s Eras Tour is a potent reminder that the internet is not real life. In the weeks leading up to June 16, 2023, when I attended the Pittsburgh leg of Taylor Swift\u2019s Eras Tour, the online chatter about the 33-year-old singer had become draining. The internet was ablaze with rumors about Swift dating Matty […]<\/p>\n","protected":false},"author":1,"featured_media":5040,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[30],"tags":[],"class_list":["post-5039","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-streamapse-reports"],"_links":{"self":[{"href":"http:\/\/streamapse.com\/Magazine\/index.php?rest_route=\/wp\/v2\/posts\/5039","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/streamapse.com\/Magazine\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/streamapse.com\/Magazine\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/streamapse.com\/Magazine\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/streamapse.com\/Magazine\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=5039"}],"version-history":[{"count":1,"href":"http:\/\/streamapse.com\/Magazine\/index.php?rest_route=\/wp\/v2\/posts\/5039\/revisions"}],"predecessor-version":[{"id":5426,"href":"http:\/\/streamapse.com\/Magazine\/index.php?rest_route=\/wp\/v2\/posts\/5039\/revisions\/5426"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/streamapse.com\/Magazine\/index.php?rest_route=\/wp\/v2\/media\/5040"}],"wp:attachment":[{"href":"http:\/\/streamapse.com\/Magazine\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=5039"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/streamapse.com\/Magazine\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=5039"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/streamapse.com\/Magazine\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=5039"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}![\"\"](\"http:\/\/streamapse.com\/Magazine\/wp-content\/uploads\/2023\/08\/Taylor-Swift-The-Eras-Tour_Banner.jpg\")
<\/a><\/p>\n<\/h2>\n
Collective delusion<\/h2>\n
<\/a><\/p>\nA vocal minority sets the agenda<\/h2>\n
<\/a><\/p>\nOligarchy of the \u2018extremely online\u2019<\/h2>\n
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