{"id":4911,"date":"2023-06-20T18:06:36","date_gmt":"2023-06-20T23:06:36","guid":{"rendered":"http:\/\/read.streamapse.com\/?p=4911"},"modified":"2025-09-01T18:55:14","modified_gmt":"2025-09-01T23:55:14","slug":"hip-hop-learned-to-call-out-homophobia-and-then-apologized-for-it","status":"publish","type":"post","link":"http:\/\/streamapse.com\/Magazine\/?p=4911","title":{"rendered":"Hip-Hop Learned To Call Out Homophobia \u2013 And Then Apologized For It"},"content":{"rendered":"

How hip-hop<\/span> learned to call out homophobia \u2013 or at least apologize for it.<\/p>\n

In the 2018 song \u201cBoss Life,\u201d the rapper Offset, part of the multiplatinum-selling rap group Migos, rhymed: \u201cI do not vibe with queers.\u201d<\/p>\n

Such casual use of a perceived anti-gay slur is not uncommon in the history of hip-hop<\/a>. But the discussion that Offset\u2019s lyrics provoked<\/a> gave an insight to how the genre is evolving.<\/p>\n

Addressing claims of homophobia, the rapper wrote on Instagram<\/a>: \u201cI didn\u2019t write the line about gay people. \u2026 I got love for all people.\u201d He continued: \u201cTo me [by] \u2018queer\u2019 I don\u2019t mean someone who\u2019s gay. I mean lame people who film you, post it and stalk you. Lingo that means strange or odd.\u201d<\/p>\n

I have no reason to question Offset\u2019s sincerity, although other artists have criticized him<\/a> for the slur.<\/p>\n

But as a scholar of hip-hop and social consciousness<\/a>, what interests me more is that Offset felt the need to reply at all; many of his rap predecessors have not felt the need after similar incidents<\/a>.<\/p>\n

As rap music approaches its 50th anniversary<\/a> in August, I believe it is increasingly embracing challenges<\/a> to \u2013 and debates about \u2013 homophobia. That is, hip-hop has evolved to the point where anti-gay rhetoric invites condemnation from members of the culture. It is still present in some rap lyrics \u2013 as indeed is true of all genres, from pop<\/a> to country<\/a> \u2013 but hip-hop is changing because of more progressive cultural views and greater LGBTQ+ representation.<\/p>\n

\"\"<\/a><\/p>\n

The history of homophobia in rap music<\/h2>\n

Hip-hop has always been a socially conscious genre<\/a> \u2013 but whereas it has historically challenged racial discrimination<\/a>, it has slowly evolved on issues related to gender and sexuality.<\/p>\n

Arguably one of the most poignant social commentaries on institutional racism at the time, \u201cThe Message,\u201d released in 1982 by Grandmaster Flash and the Furious Five, included the anti-gay slur \u201cf**<\/a>\u201d in a disparaging context.<\/p>\n

Indeed, throughout the 1980s and 1990s, high-profile rap groups such as N.W.A<\/a> and artists like DMX<\/a> similarly used pejorative language against members of the gay and lesbian community.<\/p>\n

Perhaps the most famous rapper using homophobic lyrics is Eminem<\/a>. On \u201cThe Marshall Mathers LP,\u201d he rhymed, \u201cHate f**s?\/The answer\u2019s yes.\u201d In the aftermath of this controversy, Eminem performed with famous gay singer Elton John<\/a> at the 2001 Grammys. Nevertheless, on follow-up albums he continued to use the slur. Throughout this controversy, there was only a muted response from the rap community itself.<\/p>\n

Advocacy groups such as the Gay and Lesbian Alliance Against Defamation have long campaigned against the use of such language, lambasting Eminem\u2019s hateful rhetoric<\/a> and lyrics alluding to violence against members of the LGBTQ+ community.<\/p>\n

And such lyrics have real-world impacts. Indeed, researchers who studied the link between rap music and resistance among young men of color to coming out found that it influenced some gay men\u2019s decision to conduct any same-sex practices on the \u201cdown low\u201d to avoid revealing their sexuality<\/a>.<\/p>\n

The start of change in rap community<\/h2>\n

In the latter 2000s, attitudes began to change. For example, in 2005 Kanye West apologized for his past homophobia and even urged fellow artists to cease<\/a> using lyrics that degrade the LGBTQ+ community. \u201cI wanna just come on TV and just tell my rappers, just tell my friends, yo, stop it,\u201d he said in reference to derogatory anti-gay slurs. In 2012, Jay-Z decried discrimination against gay people and promoted gay marriage<\/a>.<\/p>\n

These individual actions did not end anti-gay expression in rap, but it does, I believe, show progress among those in the hip-hop community. And others, from Nicki Minaj to Fat Joe, later followed suit as the 2010s progressed<\/a>.<\/p>\n

Furthermore, hip-hop artists and fans have increasingly welcomed what could be described as a queer aesthetic once frowned upon. Some cisgender male lyricists have appropriated parts of queer culture as part of their act.<\/p>\n

For instance, popular Atlanta rapper Young Thug often cross-dresses, wearing women\u2019s clothing. In a 2016 MTV interview regarding his wardrobe choice<\/a> he stated, \u201cIn my world, you can be gangsta with a dress, or you can be gangsta with baggy pants.\u201d<\/p>\n

This contrasts with earlier rap. Such attire would be unthinkable in the 1990s when the belief was that \u201creal\u201d men \u201cdon\u2019t wear tight clothes<\/a>,\u201d in the words of New York rappers Thug Slaughter Force<\/a>. This idea was rooted in the belief that \u201chypermasculine\u201d and \u201cmacho\u201d straight guys wore loose-fitting clothing.<\/p>\n

However, many present-day male rappers wear tight-fitting clothes \u2013 a fashion choice once considered \u201cgay<\/a>\u201d and therefore demeaned in the rap world. Moreover, such outfits are created by gay fashion designers, a point that Offset acknowledged<\/a> while defending himself against claims of homophobia.<\/p>\n

\"\"<\/a><\/p>\n

Out of the closet and onto the mics<\/h2>\n

Being comfortable with a gay aesthetic is one positive development. Even more telling, I believe, is the growing number of mainstream LGBTQ+ rappers. For many years there were no high-profile gay hip-hop artists. In fact, as late as 2014 Larry King was asking interviewees<\/a> if they thought there would \u201cever be \u2026 gay rap artists.\u201d There were, of course, but major record labels at that time rejected signing them<\/a>.<\/p>\n

Over the past decade, there has been a rise in the number of successful gay and lesbian emcees. Albeit the music of openly gay Lil Nas X<\/a> is more pop than rap, it has sold over 1 million copies. Moreover, he has collaborated with other mainstream lyricists like Nas, Jack Harlow, Cardi B and Megan Thee Stallion \u2013 all cisgender straight emcees.<\/p>\n

Lesbian rapper Young M.A achieved platinum status and works with industry rappers. Even 50 Cent, no stranger to homophobic lyrics, praised her on Instagram<\/a>: \u201cYoung M.A the hottest s*** out right now. I don\u2019t like a lot of s***, but this is Tuff.\u201d<\/p>\n

Perhaps the best example of how hip-hop has evolved on issues of sexuality can be seen in the case of Tyler the Creator. Early in his career, Tyler frequently used anti-gay slurs, such as in the 2011 song \u201cYonkers\u201d in which he says \u201cI\u2019ll crash that f***ing airplane that that f****t n**** B.o.B. is in.\u201d But in 2018 he \u201ccame out<\/a>,\u201d revealing his attraction to a man in his music. In the song, \u201cI Ain\u2019t Got Time,\u201d he rhymes \u201cI been kissing white boys since 2004<\/a>.\u201d<\/p>\n

Eminem responded by calling him a homophobic slur but later apologized<\/a>.<\/p>\n

Still room for growth in rap music<\/h2>\n

In a perfect world there would be no slur to apologize for. But it does show that hip-hop has evolved to a point at which self-reflection and conversations are taking place on past and present instances of homophobia.<\/p>\n

As the genre hits 50, previously marginalized LGBTQ+ voices are beginning to be heard \u2013 along with denouncements of homophobia by straight artists.<\/p>\n

That\u2019s not to say that anti-gay beliefs don\u2019t persist in the music of some. In his 2020 song \u201cPimpin\u2019 Ain\u2019t Eazy,\u201d Kodak Black uses the anti-lesbian<\/a> slur \u201cd***,\u201d rapping, \u201cLike a d***, man, you n***** can\u2019t f*** with me.\u201d<\/p>\n

But hip-hop is not alone. Homophobia, transphobia and other forms of prejudice persist in the United States and across the globe.<\/p>\n

And at least for now, rap artists are called on it \u2013 increasingly by members of their own community.\"The<\/p>\n

\"\"<\/a><\/p>\n

Matthew Oware<\/a>, University of Richmond<\/a><\/em><\/p>\n

Matthew Oware<\/a>, Professor of Sociology, University of Richmond<\/a><\/em><\/p>\n

This article is republished from The Conversation<\/a> under a Creative Commons license. Read the original article<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"

How hip-hop learned to call out homophobia \u2013 or at least apologize for it. In the 2018 song \u201cBoss Life,\u201d the rapper Offset, part of the multiplatinum-selling rap group Migos, rhymed: \u201cI do not vibe with queers.\u201d Such casual use of a perceived anti-gay slur is not uncommon in the history of hip-hop. But the […]<\/p>\n","protected":false},"author":1,"featured_media":4912,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5],"tags":[],"class_list":["post-4911","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-articles"],"_links":{"self":[{"href":"http:\/\/streamapse.com\/Magazine\/index.php?rest_route=\/wp\/v2\/posts\/4911","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/streamapse.com\/Magazine\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/streamapse.com\/Magazine\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/streamapse.com\/Magazine\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/streamapse.com\/Magazine\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=4911"}],"version-history":[{"count":1,"href":"http:\/\/streamapse.com\/Magazine\/index.php?rest_route=\/wp\/v2\/posts\/4911\/revisions"}],"predecessor-version":[{"id":5897,"href":"http:\/\/streamapse.com\/Magazine\/index.php?rest_route=\/wp\/v2\/posts\/4911\/revisions\/5897"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/streamapse.com\/Magazine\/index.php?rest_route=\/wp\/v2\/media\/4912"}],"wp:attachment":[{"href":"http:\/\/streamapse.com\/Magazine\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=4911"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/streamapse.com\/Magazine\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=4911"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/streamapse.com\/Magazine\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=4911"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}