{"id":3311,"date":"2021-02-01T01:00:42","date_gmt":"2021-02-01T06:00:42","guid":{"rendered":"http:\/\/read.streamapse.com\/?p=3311"},"modified":"2021-02-01T01:00:42","modified_gmt":"2021-02-01T06:00:42","slug":"jazmine-sullivan-the-singer-makes-her-return-with-raw-emotion-and-a-matchless-voice","status":"publish","type":"post","link":"http:\/\/streamapse.com\/Magazine\/?p=3311","title":{"rendered":"Jazmine Sullivan: The Singer Makes Her Return With Raw Emotion And A Matchless Voice"},"content":{"rendered":"

There’s power in reclamation, and Jazmine Sullivan leans into every bit of it on Heaux Tales. The project, her fourth overall and first in six years, takes the content and casual candor of a group chat and unpacks them across songs and narrative, laying waste to the patriarchal good girl\/bad girl dichotomy in the process. It’s as much about \u201choes\u201d as it is the people who both benefit and are harmed by the notion. Pleasure takes center stage from the very beginning; \u201cBodies\u201d captures the inner monologue of the moments immediately after a drunken hookup with\u2014well, does it really matter? The who is irrelevant to the why, as Sullivan searches her mirror for accountability. \u201cI keep on piling on bodies on bodies on bodies, yeah, you getting sloppy, girl, I gotta stop getting fucked up.\u201d<\/p>\n

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Stream “Heaux Tales” By Jazmine Sullivan<\/a><\/figcaption><\/figure>\n

The theme reemerges throughout, each time towards a different end, as short spoken interludes thread it all together. \u201cPut It Down\u201d offers praise for the men who only seem to be worthy of it in the bedroom (because who among us hasn’t indulged in or even enabled the carnal delights of those who offer little else beyond?), while \u201cOn It,\u201d a pearl-clutching duet with Ari Lennox, unfolds like a three-minute sext sung by two absolute vocal powerhouses. Later, she cleverly inverts the sentiment but maintains the artistic dynamism on a duet with H.E.R., replacing the sexual confidence with a missive about how \u201cit ain’t right how these hoes be winning.\u201d The singing is breathtaking\u2014textbooks could be filled on the way Sullivan brings emotionality into the tone and texture of voice, as on the devastating lead single \u201cLost One\u201d\u2014but it’d be erroneous to ignore the lyrics and what these intra- and interpersonal dialogues expose. Heaux Tales not only highlights the multitudes of many women, it suggests the multitudes that can exist within a single woman, how virtue and vulnerability thrive next to ravenous desire and indomitability. It stands up as a portrait of a woman, painted by the brushes of several, who is, at the end of it all, simply doing the best she can\u2014trying to love and protect herself despite a world that would prefer she do neither.<\/p>\n","protected":false},"excerpt":{"rendered":"

There’s power in reclamation, and Jazmine Sullivan leans into every bit of it on Heaux Tales. The project, her fourth overall and first in six years, takes the content and casual candor of a group chat and unpacks them across songs and narrative, laying waste to the patriarchal good girl\/bad girl dichotomy in the process. […]<\/p>\n","protected":false},"author":1,"featured_media":3313,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5],"tags":[369,370,371,372,250,75,373],"class_list":["post-3311","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-articles","tag-emotion","tag-jazmine","tag-makes","tag-matchless","tag-return","tag-singer","tag-sullivan"],"_links":{"self":[{"href":"http:\/\/streamapse.com\/Magazine\/index.php?rest_route=\/wp\/v2\/posts\/3311","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/streamapse.com\/Magazine\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/streamapse.com\/Magazine\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/streamapse.com\/Magazine\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/streamapse.com\/Magazine\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3311"}],"version-history":[{"count":0,"href":"http:\/\/streamapse.com\/Magazine\/index.php?rest_route=\/wp\/v2\/posts\/3311\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/streamapse.com\/Magazine\/index.php?rest_route=\/wp\/v2\/media\/3313"}],"wp:attachment":[{"href":"http:\/\/streamapse.com\/Magazine\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3311"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/streamapse.com\/Magazine\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3311"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/streamapse.com\/Magazine\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3311"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}